Decalcomania is similar to a way of working I have attempted before, so I was familiar with it. Max Ernst uses a lot of decalcomania in his work, so I looked into his paintings before attempting it myself. It is the use of thick paint on canvas, and then through the use of adding other materials to make a pattern or textured surface. This technique works amazingly in Ernst’s work, with the textures produced blending into surreal landscapes and backgrounds. The good part about decalcomania is that there is an element of unpredictability with it. You add the colours and apply the surface to it, but you don’t know what the resulting piece of art will look like. Because of this, it is an almost collage like process due to working out what direction you want to go with the piece of art once the decalcomania has been completed.
Here is a piece by Ernst called “Europe after the rain”. It embodies the decalcomania technique for its rocky outcrops.
References:
Ernst, M. 1940 – 1942. Europe after the rain. Oil on canvas. At: New York: Wadsworth Atheneum Museum of Art
Bibliography:
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At: New York: Wadsworth Atheneum Museum of Art
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